The Burning Stage #3
It started with a shovel in Salisbury. It led me to a life in theatre. What life changing moments have you had? This is part 3 of my series about my approach to theatre called The Burning Stage. Please click on the link and enjoy reading it.
The Burning Stage: # 2
In the second part of my musings on The Burning Stage, I tackle the rules that make up the Classical Unities of Time, Space and Action. Aren’t rules just made to be broken or is there something there to think about?
The Burning Stage
I write about my attitude to drama called The Burning Stage and suggest that it may provide a model for other theatre companies in the 21st Century
Choose to Speak: # 9 of my ramble about writing Drama
Drama is the interaction between two or more characters in a given situation. That interaction is what we call dialogue. Or what we refer to in real life as a “conversation”. For a playwright, dialogue is the most difficult thing to get right.
Choose to Emerge: Part 8 of my ramblings about writing The Drama
If you dissect a human cadaver you will not find ideas, language, the idea behind ballet or the rules of football. These are all emergent qualities of being human. Being Human is the emergent quality of a Human Being.
Choose Drama. Choose Society: part 7 of a disussion about writing Drama in the 21st Century.
Theatre of Protest has a long and honourable tradition in small co-operative theatre companies since the nineteenth century (and maybe for centuries before). The problem is, I would suggest, that this Polemic Theatre is confined by the very system that it would seek to overthrow.
Choose the Future - part 6 of my series about writing drama
The arts need no justification. They are part of the knitted fabric of a people. The cardigan of a culture. The socks of a society.
Choose to be Challenged - part 5 of my ideas on writing for the theatre
At the root of drama is empathy. For characters, for the actors that play them and for the audience that we want to connect with.
Choose Life. Choose the Drama of Life. part 3 about writing for the Drama
Theatre is in a bit of a pickle at the moment. In my series about writing for the theatre I have widened the scope to give my views as a Director and Playwright.
Choose Real Life. Unplug Yourself. part 2 about writing for the drama
I don’t give advice but maybe you may be inspired by a few suggestions I make.
Choose Life. Choose Drama. part 2: More gentle advice on a life in Arts.
Choose Art, Choose Life. part 1 of occasional thoughts about writing The Drama
The idea of an Arts Industry is anathema to me. Art is a big Thing. It is an important thing. It encompasses philosophy, psychology, sociology and politics. It tries to moderate thinking of audiences by allowing them to walk in the shoes of others.
Playing Around with Words
Can Golf help with my writing?
Flexigesis
Here is part one of an experiment in long Form drama/Poetry, Please play it through to the end.
Hoarder or Sharer?
The Giant Sea Monster
Did you see the David Attenborough documentary.? Here it is in reality.
Sorry to trouble you
Saying Sorry is sometimes a lot easier than you think
Midnight rambles with my Characters
Midnight rmbles with my characters - and killing them off
Pop Art
What a useful word Pop is.
50 Years a Playwright - What I learnt #1
Fifty years a Playwright. What I learnt #1